“But what is it all about? Tell me, for Heaven’s sake! Cannot you understand how nearly it touches me? Why are they blackening Evgenie Pavlovitch’s reputation?”
“Varia does it from pride, and likes showing off, and giving herself airs. As to my mother, I really do admire her--yes, and honour her. Hippolyte, hardened as he is, feels it. He laughed at first, and thought it vulgar of her--but now, he is sometimes quite touched and overcome by her kindness. H’m! You call that being strong and good? I will remember that! Gania knows nothing about it. He would say that it was encouraging vice.”

At this moment, Lizabetha Prokofievna rose swiftly from her seat, beckoned her companions, and left the place almost at a run.

“No, sir, _not_ corkscrew. I am a general, not a bottle, sir. Make your choice, sir--me or him.”

“There, you see! Even your own son supports my statement that there never was such a person as Captain Eropegoff!” that the old fellow muttered confusedly:

At the beginning of the evening, when the prince first came into the room, he had sat down as far as possible from the Chinese vase which Aglaya had spoken of the day before.

It was a matter of general knowledge that the three girls were very fond of one another, and supported each other in every way; it was even said that the two elder ones had made certain sacrifices for the sake of the idol of the household, Aglaya. In society they not only disliked asserting themselves, but were actually retiring. Certainly no one could blame them for being too arrogant or haughty, and yet everybody was well aware that they were proud and quite understood their own value. The eldest was musical, while the second was a clever artist, which fact she had concealed until lately. In a word, the world spoke well of the girls; but they were not without their enemies, and occasionally people talked with horror of the number of books they had read.

“I shan’t ever be a Rothschild, and there is no reason why I should,” he added, smiling; “but I shall have a house in the Liteynaya, perhaps two, and that will be enough for me.” “Who knows but what I may have three!” he concluded to himself; but this dream, cherished inwardly, he never confided to a soul.
“Yes,” said Lebedeff, “you certainly think a great deal too much about yourself.”

“Yes.”

“The pistol was a wretched thing, very crooked and wouldn’t carry farther than fifteen paces at the most. However, it would send your skull flying well enough if you pressed the muzzle of it against your temple.
“You have made a mistake, general,” said he. “The name on the door is Koulakoff, and you were going to see General Sokolovitch.”
“Really?” asked the prince, gleefully, and he laughed in delight. “Yes!” “She gave it me just now, when I called in to congratulate her. I asked her for it long ago. I don’t know whether she meant it for a hint that I had come empty-handed, without a present for her birthday, or what,” added Gania, with an unpleasant smile.
“Suddenly, just before the whistle, in came two ladies with a little poodle, and sat down opposite to me; not bad-looking women; one was in light blue, the other in black silk. The poodle, a beauty with a silver collar, lay on light blue’s knee. They looked haughtily about, and talked English together. I took no notice, just went on smoking. I observed that the ladies were getting angry--over my cigar, doubtless. One looked at me through her tortoise-shell eyeglass.

“Oh! but you may have been sitting behind the bushes somewhere. However, I am very glad, on your account, of course. I was beginning to be afraid that Mr. Gania--might have the preference!”

“What delightful writing materials you have here, such a lot of pencils and things, and what beautiful paper! It’s a charming room altogether. I know that picture, it’s a Swiss view. I’m sure the artist painted it from nature, and that I have seen the very place--”
“Only that God gives that sort of dying to some, and not to others. Perhaps you think, though, that I could not die like Gleboff?”

Lebedeff’s country-house was not large, but it was pretty and convenient, especially the part which was let to the prince.

“If this ‘Explanation’ gets into anybody’s hands, and they have patience to read it through, they may consider me a madman, or a schoolboy, or, more likely, a man condemned to die, who thought it only natural to conclude that all men, excepting himself, esteem life far too lightly, live it far too carelessly and lazily, and are, therefore, one and all, unworthy of it. Well, I affirm that my reader is wrong again, for my convictions have nothing to do with my sentence of death. Ask them, ask any one of them, or all of them, what they mean by happiness! Oh, you may be perfectly sure that if Columbus was happy, it was not after he had discovered America, but when he was discovering it! You may be quite sure that he reached the culminating point of his happiness three days before he saw the New World with his actual eyes, when his mutinous sailors wanted to tack about, and return to Europe! What did the New World matter after all? Columbus had hardly seen it when he died, and in reality he was entirely ignorant of what he had discovered. The important thing is life--life and nothing else! What is any ‘discovery’ whatever compared with the incessant, eternal discovery of life?

“Now, go away, I don’t wish to have your arm any longer; or perhaps, better, continue to give me your arm, and walk along beside me, but don’t speak a word to me. I wish to think by myself.”

“Prince, I wish to place myself in a respectable position--I wish to esteem myself--and to--”

“You did a good action,” said the prince, “for in the midst of his angry feelings you insinuated a kind thought into his heart.”
“When I arose to lock the door after him, I suddenly called to mind a picture I had noticed at Rogojin’s in one of his gloomiest rooms, over the door. He had pointed it out to me himself as we walked past it, and I believe I must have stood a good five minutes in front of it. There was nothing artistic about it, but the picture made me feel strangely uncomfortable. It represented Christ just taken down from the cross. It seems to me that painters as a rule represent the Saviour, both on the cross and taken down from it, with great beauty still upon His face. This marvellous beauty they strive to preserve even in His moments of deepest agony and passion. But there was no such beauty in Rogojin’s picture. This was the presentment of a poor mangled body which had evidently suffered unbearable anguish even before its crucifixion, full of wounds and bruises, marks of the violence of soldiers and people, and of the bitterness of the moment when He had fallen with the cross--all this combined with the anguish of the actual crucifixion.
“But why talk now?” replied Lizabetha Prokofievna, more and more alarmed; “You are quite feverish. Just now you would not stop shouting, and now you can hardly breathe. You are gasping.”

I.

“I knew yesterday that you didn’t love me.”

Evgenie Pavlovitch was silent, but Hippolyte kept his eyes fixed upon him, waiting impatiently for more.

However, both the friends felt that the thing looked rosy indeed when one day Nastasia informed them that she would give her final answer on the evening of her birthday, which anniversary was due in a very short time.

“Then look out for him, I warn you! He won’t forgive you easily, for taking back the letter.”

“How dreadfully you look at me, Parfen!” said the prince, with a feeling of dread.