“My dear young friend, you have hit on my very idea. It was not for this rubbish I asked you to come over here” (he pocketed the money, however, at this point), “it was to invite your alliance in the campaign against Nastasia Philipovna tonight. How well it sounds, ‘General Ivolgin and Prince Muishkin.’ That’ll fetch her, I think, eh? Capital! We’ll go at nine; there’s time yet.”
“May I ask you, Hippolyte, not to talk of this subject? And not to use such expressions?”
“He’s always twisting round what one says,” she cried.
“Yes--I saw an execution in France--at Lyons. Schneider took me over with him to see it.”

It was not a large party, however. Besides Princess Bielokonski and the old dignitary (who was really a great man) and his wife, there was an old military general--a count or baron with a German name, a man reputed to possess great knowledge and administrative ability. He was one of those Olympian administrators who know everything except Russia, pronounce a word of extraordinary wisdom, admired by all, about once in five years, and, after being an eternity in the service, generally die full of honour and riches, though they have never done anything great, and have even been hostile to all greatness. This general was Ivan Fedorovitch’s immediate superior in the service; and it pleased the latter to look upon him also as a patron. On the other hand, the great man did not at all consider himself Epanchin’s patron. He was always very cool to him, while taking advantage of his ready services, and would instantly have put another in his place if there had been the slightest reason for the change.

“Well, take care you don’t tell him to his face that you have found the purse. Simply let him see that it is no longer in the lining of your coat, and form his own conclusions.”
“My dear, my dear!” he said, solemnly and reproachfully, looking at his wife, with one hand on his heart.
“At moments I was in a state of dreadful weakness and misery, so that Colia was greatly disturbed when he left me.
The company assembled at Nastasia Philipovna’s consisted of none but her most intimate friends, and formed a very small party in comparison with her usual gatherings on this anniversary.
I.
Aglaya sat next to Evgenie Pavlovitch, and laughed and talked to him with an unusual display of friendliness. Evgenie himself behaved rather more sedately than usual, probably out of respect to the dignitary. Evgenie had been known in society for a long while. He had appeared at the Epanchins’ today with crape on his hat, and Princess Bielokonski had commended this action on his part. Not every society man would have worn crape for “such an uncle.” Lizabetha Prokofievna had liked it also, but was too preoccupied to take much notice. The prince remarked that Aglaya looked attentively at him two or three times, and seemed to be satisfied with his behaviour.

The prince and the general were the only two persons left in the room.

“All this is mere jealousy--it is some malady of yours, Parfen! You exaggerate everything,” said the prince, excessively agitated. “What are you doing?”
“It did not occur--it’s a mistake!” said Nina Alexandrovna quickly, looking, at the prince rather anxiously. “_Mon mari se trompe_,” she added, speaking in French.

“Yes, a marriage is being arranged--a marriage between a questionable woman and a young fellow who might be a flunkey. They wish to bring this woman into the house where my wife and daughter reside, but while I live and breathe she shall never enter my doors. I shall lie at the threshold, and she shall trample me underfoot if she does. I hardly talk to Gania now, and avoid him as much as I can. I warn you of this beforehand, but you cannot fail to observe it. But you are the son of my old friend, and I hope--”

“Yes, he told me,” said the prince, feeling only half alive.

“But you seem to be on the best of terms with him?”

“Well, I’m afraid of you. You shudder and tremble so. We’ll pass the night here together. There are no other beds besides that one; but I’ve thought how we’ll manage. I’ll take the cushions off all the sofas, and lay them down on the floor, up against the curtain here--for you and me--so that we shall be together. For if they come in and look about now, you know, they’ll find her, and carry her away, and they’ll be asking me questions, and I shall say I did it, and then they’ll take me away, too, don’t you see? So let her lie close to us--close to you and me.

“N-no.”

“Constant?” said the prince, suddenly, and quite involuntarily.
“They drag each other about the place,” he said, “and get drunk together at the pub close by here, and quarrel in the street on the way home, and embrace one another after it, and don’t seem to part for a moment.”

“What? Would you go to her--to her?”

“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”
“Why, it was yourself who advised me to bring him over!”
The prince thought he knew what Gania meant by “such a moment.”
“Yes, I have just read it.”

Aglaya did not begin the conversation, but contented herself with watching her companion intently.

It was true enough that everybody was laughing, the prince among them.

“That’s impossible!” said he in an aggrieved tone. “I am often discussing subjects of this nature with him, gentlemen, but for the most part he talks nonsense enough to make one deaf: this story has no pretence of being true.”
It was clear that he came out with these words quite spontaneously, on the spur of the moment. But his speech was productive of much--for it appeared that all Gania’s rage now overflowed upon the prince. He seized him by the shoulder and gazed with an intensity of loathing and revenge at him, but said nothing--as though his feelings were too strong to permit of words.
He was extremely excited; his lips trembled, and the resentment of an embittered soul was in his voice. But he spoke so indistinctly that hardly a dozen words could be gathered.
“Widower. Why do you want to know all this?”
“You remember,” she continued, “he wrote me a letter at that time; he says you know all about that letter and that you even read it. I understand all by means of this letter, and understand it correctly. He has since confirmed it all to me--what I now say to you, word for word. After receiving his letter I waited; I guessed that you would soon come back here, because you could never do without Petersburg; you are still too young and lovely for the provinces. However, this is not my own idea,” she added, blushing dreadfully; and from this moment the colour never left her cheeks to the end of her speech. “When I next saw the prince I began to feel terribly pained and hurt on his account. Do not laugh; if you laugh you are unworthy of understanding what I say.”

“Where is it? Give it here, at once.”

General Epanchin lived in his own house near the Litaynaya. Besides this large residence--five-sixths of which was let in flats and lodgings--the general was owner of another enormous house in the Sadovaya bringing in even more rent than the first. Besides these houses he had a delightful little estate just out of town, and some sort of factory in another part of the city. General Epanchin, as everyone knew, had a good deal to do with certain government monopolies; he was also a voice, and an important one, in many rich public companies of various descriptions; in fact, he enjoyed the reputation of being a well-to-do man of busy habits, many ties, and affluent means. He had made himself indispensable in several quarters, amongst others in his department of the government; and yet it was a known fact that Fedor Ivanovitch Epanchin was a man of no education whatever, and had absolutely risen from the ranks.
“Naturally, all this--”
“I have observed,” said the prince, “that he seems to be an object of very singular interest to you, Evgenie Pavlovitch. Why is it?”