“What, receive him! Now, at once?” asked Mrs. Epanchin, gazing vaguely at her husband as he stood fidgeting before her.

The prince sat silent once more. Aglaya did not seem to be joking; she was too angry for that.

“‘Perhaps you are exaggerating--if you were to take proper measures perhaps--”

“Oh, _that’s_ all the same! The chief thing is that she wants to see you after six months’ absence. Look here, Gania, this is a _serious_ business. Don’t swagger again and lose the game--play carefully, but don’t funk, do you understand? As if she could possibly avoid seeing what I have been working for all this last six months! And just imagine, I was there this morning and not a word of this! I was there, you know, on the sly. The old lady did not know, or she would have kicked me out. I ran some risk for you, you see. I did so want to find out, at all hazards.”

“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”

On meeting Colia the prince determined to accompany the general, though he made up his mind to stay as short a time as possible. He wanted Colia, but firmly resolved to leave the general behind. He could not forgive himself for being so simple as to imagine that Ivolgin would be of any use. The three climbed up the long staircase until they reached the fourth floor where Madame Terentieff lived.

She gazed attentively at him.

“Yes, he told me,” said the prince, feeling only half alive.
“Oho! we’ll make Nastasia Philipovna sing another song now!” giggled Lebedeff, rubbing his hands with glee. “Hey, my boy, we’ll get her some proper earrings now! We’ll get her such earrings that--”
“Oh, trust _him_ for that!” said Adelaida. “Evgenie Pavlovitch turns everything and everybody he can lay hold of to ridicule. You should hear the things he says sometimes, apparently in perfect seriousness.” “Where are the cards?” “I understand, gentlemen,” he began, trembling as before, and stumbling over every word, “that I have deserved your resentment, and--and am sorry that I should have troubled you with this raving nonsense” (pointing to his article), “or rather, I am sorry that I have not troubled you enough.” He smiled feebly. “Have I troubled you, Evgenie Pavlovitch?” He suddenly turned on Evgenie with this question. “Tell me now, have I troubled you or not?” “I am only repeating your own exclamation!” said Colia. “A month ago you were turning over the pages of your Don Quixote, and suddenly called out ‘there is nothing better than the poor knight.’ I don’t know whom you were referring to, of course, whether to Don Quixote, or Evgenie Pavlovitch, or someone else, but you certainly said these words, and afterwards there was a long conversation...”
“With that she did as she had said she would; she went to bed, and did not lock her door. In the morning she came out. ‘Are you quite mad?’ she said, sharply. ‘Why, you’ll die of hunger like this.’ ‘Forgive me,’ I said. ‘No, I won’t, and I won’t marry you. I’ve said it. Surely you haven’t sat in this chair all night without sleeping?’ ‘I didn’t sleep,’ I said. ‘H’m! how sensible of you. And are you going to have no breakfast or dinner today?’ ‘I told you I wouldn’t. Forgive me!’ ‘You’ve no idea how unbecoming this sort of thing is to you,’ she said, ‘it’s like putting a saddle on a cow’s back. Do you think you are frightening me? My word, what a dreadful thing that you should sit here and eat no food! How terribly frightened I am!’ She wasn’t angry long, and didn’t seem to remember my offence at all. I was surprised, for she is a vindictive, resentful woman--but then I thought that perhaps she despised me too much to feel any resentment against me. And that’s the truth.
“An idiot!”--the prince distinctly heard the word half whispered from behind him. This was Ferdishenko’s voluntary information for Nastasia’s benefit.
“To the station, quick! If you catch the train you shall have another. Quick!”

“Poor orphans,” began Lebedeff, his face assuming a mournful air, but he stopped short, for the other looked at him inattentively, as if he had already forgotten his own remark. They waited a few minutes in silence, while Lebedeff sat with his eyes fixed mournfully on the young man’s face.

“Well, you have no right, you have no right, no right at all!... Your friends indeed!”... gabbled Burdovsky, defiantly examining the faces round him, and becoming more and more excited. “You have no right!...” As he ended thus abruptly, he leant forward, staring at the prince with his short-sighted, bloodshot eyes. The latter was so astonished, that he did not reply, but looked steadily at him in return.

“Yes.” “The idea that it is not worth while living for a few weeks took possession of me a month ago, when I was told that I had four weeks to live, but only partially so at that time. The idea quite overmastered me three days since, that evening at Pavlofsk. The first time that I felt really impressed with this thought was on the terrace at the prince’s, at the very moment when I had taken it into my head to make a last trial of life. I wanted to see people and trees (I believe I said so myself), I got excited, I maintained Burdovsky’s rights, ‘my neighbour!’--I dreamt that one and all would open their arms, and embrace me, that there would be an indescribable exchange of forgiveness between us all! In a word, I behaved like a fool, and then, at that very same instant, I felt my ‘last conviction.’ I ask myself now how I could have waited six months for that conviction! I knew that I had a disease that spares no one, and I really had no illusions; but the more I realized my condition, the more I clung to life; I wanted to live at any price. I confess I might well have resented that blind, deaf fate, which, with no apparent reason, seemed to have decided to crush me like a fly; but why did I not stop at resentment? Why did I begin to live, knowing that it was not worthwhile to begin? Why did I attempt to do what I knew to be an impossibility? And yet I could not even read a book to the end; I had given up reading. What is the good of reading, what is the good of learning anything, for just six months? That thought has made me throw aside a book more than once. “There was no Eropegoff? Eroshka Eropegoff?” he cried, suddenly, stopping in the road in a frenzy. “No Eropegoff! And my own son to say it! Eropegoff was in the place of a brother to me for eleven months. I fought a duel for him. He was married afterwards, and then killed on the field of battle. The bullet struck the cross on my breast and glanced off straight into his temple. ‘I’ll never forget you,’ he cried, and expired. I served my country well and honestly, Colia, but shame, shame has pursued me! You and Nina will come to my grave, Colia; poor Nina, I always used to call her Nina in the old days, and how she loved.... Nina, Nina, oh, Nina. What have I ever done to deserve your forgiveness and long-suffering? Oh, Colia, your mother has an angelic spirit, an angelic spirit, Colia!”
“Yes, it’s quite true,” said Rogojin, frowning gloomily; “so Zaleshoff told me. I was walking about the Nefsky one fine day, prince, in my father’s old coat, when she suddenly came out of a shop and stepped into her carriage. I swear I was all of a blaze at once. Then I met Zaleshoff--looking like a hair-dresser’s assistant, got up as fine as I don’t know who, while I looked like a tinker. ‘Don’t flatter yourself, my boy,’ said he; ‘she’s not for such as you; she’s a princess, she is, and her name is Nastasia Philipovna Barashkoff, and she lives with Totski, who wishes to get rid of her because he’s growing rather old--fifty-five or so--and wants to marry a certain beauty, the loveliest woman in all Petersburg.’ And then he told me that I could see Nastasia Philipovna at the opera-house that evening, if I liked, and described which was her box. Well, I’d like to see my father allowing any of us to go to the theatre; he’d sooner have killed us, any day. However, I went for an hour or so and saw Nastasia Philipovna, and I never slept a wink all night after. Next morning my father happened to give me two government loan bonds to sell, worth nearly five thousand roubles each. ‘Sell them,’ said he, ‘and then take seven thousand five hundred roubles to the office, give them to the cashier, and bring me back the rest of the ten thousand, without looking in anywhere on the way; look sharp, I shall be waiting for you.’ Well, I sold the bonds, but I didn’t take the seven thousand roubles to the office; I went straight to the English shop and chose a pair of earrings, with a diamond the size of a nut in each. They cost four hundred roubles more than I had, so I gave my name, and they trusted me. With the earrings I went at once to Zaleshoff’s. ‘Come on!’ I said, ‘come on to Nastasia Philipovna’s,’ and off we went without more ado. I tell you I hadn’t a notion of what was about me or before me or below my feet all the way; I saw nothing whatever. We went straight into her drawing-room, and then she came out to us.

“What’s the good of tormenting him like this?” cried the prince.

“There is much suffering in this face,” murmured the prince, more as though talking to himself than answering the question.

“Hide-and-seek? What do you mean?” inquired Mrs. Epanchin.

“It was you,” he murmured, almost in a whisper, but with absolute conviction. “Yes, it was you who came to my room and sat silently on a chair at my window for a whole hour--more! It was between one and two at night; you rose and went out at about three. It was you, you! Why you should have frightened me so, why you should have wished to torment me like that, I cannot tell--but you it was.”
“Yes, indeed I had--a good deal; and, would you believe it, I often wonder at myself for not having forgotten how to speak Russian? Even now, as I talk to you, I keep saying to myself ‘how well I am speaking it.’ Perhaps that is partly why I am so talkative this morning. I assure you, ever since yesterday evening I have had the strongest desire to go on and on talking Russian.”
VI.

“That’s the beauty of it, general!”

In a word, Ferdishenko was very angry and rapidly forgetting himself; his whole face was drawn with passion. Strange as it may appear, he had expected much better success for his story. These little errors of taste on Ferdishenko’s part occurred very frequently. Nastasia trembled with rage, and looked fixedly at him, whereupon he relapsed into alarmed silence. He realized that he had gone a little too far. “There you are, mother, you are always like that. You begin by promising that there are to be no reproaches or insinuations or questions, and here you are beginning them at once. We had better drop the subject--we had, really. I shall never leave you, mother; any other man would cut and run from such a sister as this. See how she is looking at me at this moment! Besides, how do you know that I am blinding Nastasia Philipovna? As for Varia, I don’t care--she can do just as she pleases. There, that’s quite enough!” “I saw it at Lyons. Schneider took us there, and as soon as we arrived we came in for that.”
All this would have been perfectly sincere on his part. He had never for a moment entertained the idea of the possibility of this girl loving him, or even of such a thing as himself falling in love with her. The possibility of being loved himself, “a man like me,” as he put it, he ranked among ridiculous suppositions. It appeared to him that it was simply a joke on Aglaya’s part, if there really were anything in it at all; but that seemed to him quite natural. His preoccupation was caused by something different.